Batezi recently wrote an excellent summary of the tone and intention of Honey & Clover’s second series. It briefly but concisely captures much of what people seem to be thinking as they write about each individual episode and it’s something I’d eagerly recommend as a companion to most of your blog reading on the subject. Definitely a great piece of analysis and a good example of what anime blogging should be all about.
This episode we get a kind of retrospective of Yamada and a bittersweet assessment of her current prospects. Miwako notices her sadness over Mayama’s recent triumph with Rika, Mistress Ice Queen, and takes her on an R&R break to Health Land, a local ping-pong spa (I have no idea). Dressed in muumuus (that really don’t make them look like Homer Simpson when he gains 300 pounds) the pair enjoy the opportunity for relaxation. Mayama is never far from Yamada’s thoughts, however, and her eyes are filled with tears throughout the visit. A brief phone call from Miwako to Nomiya with an update only frustrates him. He storms off in anger at Yamada – an act that we as the audience note as further demonstrating his deeply growing affection for her.
The level of progression we’re getting from Yamada as she comes to understand the futility of holding on to her love for Mayama is going at a snails pace. But, as with every other slow moving plot thread in Honey & Clover, it feels perfectly executed. I’ve never found myself comparing the situations of an anime to the real world so much as I have with Honey & Clover, and I think this is where it finds its eerily strong resonance with the audience. By placing ourselves in any of these characters shoes it becomes simple to empathise with the way they behave. Of course, we may do things differently in our own real lives, but for these characters it never feels inappropriate.
And yet again I felt myself chant ‘Yamada Yamada Yamada’ (ala early season one) throughout this episode. The girl is subtly becoming my favourite character against all odds and it speaks a lot of her ability to tap into base sympathies of the audience.
There’s also a brief bit of Takemoto advancement here wrapped up with Mayama expressing his cheesy love for Rika and diminishing his cool factor at a rate of knots. It’s really endearing stuff, though, and does a clever job of uniting the two characters over their similar intentions with their womenfolk. They both have the desire to take care of their objects of affection, both of whom have a degree of frailty and helplessness about them. It’s quite archaic stuff when you let the feminism lobe of your brain take over, but the Honey & Clover Factor means the charm and charisma of the situation remains in tact.
None of the core female characters seem to have much desire to be ‘empowered’ in the militant grr sense, but they never conform to muted princesses-in-need stereotype either. In fact, every female character in Honey & Clover is successful and has a bright future. Emotionally they may seem especially damaged or insecure, but no more than any normal person may be despite their gender. If anything, the male characters in Honey & Clover are more emotionally stunned and confused. Someone should have Warren Farrel write a letter.
We edged a wee bit towards the Morita mystery here too and I’m convinced it’s not as dark as this episode wants to suggest. I bet it’s some kind of child-manipulating franchise of Pokemon-like proportions, or something as ethically barren as that. I still want to know what Morita is saving his bucks for, though. Mysteries, mysteries.
I loved the animation of the first portion of this episode. Both Miwako and Yamada had really fluid expressiveness to their movement and it suited the hazy drunkenness/relaxation they were feeling. The quality of Honey & Clover’s animation is a mute point, I know, but it’s fun when you notice the minor quirks from episode to episode. It’s definitely a sign of a top quality anime.
Conclusion
There’s always so much I want to note as simply ‘awesome’ in Honey & Clover. Shuuji’s intimidating head massage, for instance. Nomiya’s role-reversal as knight in shining armour. Miwako’s supreme coolness and winner of Best Senpai Ever. Mayama’s road to likeability via minor scenes of humiliation. YAMADA’S SMOKING ROUNDHOUSE ATTACK. I could go on forever. There’s not much discussion over Honey & Clover’s position as a seminal anime; its consistent quality in everything speaks for itself. I’m still reeling from the fact they’ve managed to keep it up for this long. The prospect of some actual conclusions is scary in the best, most exciting way possible.